Saturday, 23 May 2015

Various – Momentary One & Two (Ltd. 7” singles)


Two very limited 7” singles featuring Syd Barrett/Pink Floyd covers! Available at the Fruits De Mer / Mega Dodo joint gig at Putney's Half Moon this Sunday! (24th May)


This weekend's hottest gig ticket is surely the Fruits De Mer/Mega Dodo all-dayer at Putney's Half Moon. Aside from the stellar line-up, there will also be ultra-desirable goodie bags for early arrivals. If that wasn't enough there'll also be a chance to get your your eager mitts on some other sonic items. Two of which being this pair of limited edition 7” singles featuring contemporary acts covering early Pink Floyd/Syd Barrett tracks. Although they've been issued before on FDM's Momentary Lapse Of Reason double CD (available to “club members” only), this is their first airing on vinyl. Limited to only 300 copies each, chances are they won't be around for long.

Momentary One features is marked out by it's sumptuous female vocals, while Momentary Two is a Syd special. Floyd fans will love all seven tunes as there's nary a duff track among them. If I was pushed to pick a favourite I'd probably go for Max Kinghorn-Mills version of Dark Globe, dreamy, wistful and melancholic. It had me searching out Barrett's original version with fresh ears. But hey, that's just me. Track down this pair of 7”s if you can and pick your own favourite, they're all worthy!

Momentary One
  1. Ilona V – Golden Hair (Barrett)
  2. Crystal Jacqueline – Grantchester Meadows (Waters
  3. Cary Grace – Cirrus Minor (Waters)
Momentary Two
  1. Max Kinghorn-Mills – Dark Globe (Barrett)
  2. Caudio Cataldi – She Took A Long Cold Look (Barrett)
  3. The Chemistry Set – See Emily Play (Barrett)
  4. Todd Dillingham and Golly McCry – The Gnome (Barrett)

Click here for the Fruits De Mer Records website.
Click here for the Mega Dodo website.

Wednesday, 20 May 2015

Beau - Shoeless In The Desert


How I survived the aftermath of the general election with a little help from Kurt Vonnegut and Beau's latest LP.


After the all too depressing results of the recent general election sank in, and the prospect of another five years of Tory government became a reality, my Twitter feed turned quickly from pre-election optimism and hope, to despair and blame. It also filled with scaremongering about what we as a society needed to prepare ourselves for. There was one tweet, amongst the deluge, that stuck in my mind and seemed to sum up where our society is heading. It highlighted a quote from Kurt Vonnegut's Slaughterhouse 5, about how the American poor are encouraged to despise themselves, perpetuating their position and lack of opportunity while bolstering that of the rich and powerful. This, Vonnegut states, is in contrast to many other countries which have folk tales that value wisdom over wealth, and virtue over self-serving ambition -

America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by the American poor. They mock themselves and glorify their betters. The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: “If you’re so smart, why ain’t you rich?” (Kurt Vonnegut – Slaughterhouse 5)

It's easy to see the parallels in modern Britain where our underclass is routinely ridiculed on TV, or attacked in the press, whereas corporations are free to avoid taxes if they pay enough donations to the right political parties. Timely then that the latest album from Beau should drop through my letterbox around the same time as did many electoral leaflets and voting reminders. It too chimes themes similar to those found in Slaughterhouse 5, along with other cautionary tales about corruption and misuse of wealth. Listening to Beau's latest work did give me some hope for the spiritual well being of our nation, which in the immediate wake of the election seemed somehow broken and in need of some TLC.

Shoeless In The Desert is a gentle compassionate album, and like those folk tales it champions wisdom and virtue. Recorded simply and in the timeless folk way of just voice and one 12-string guitar, no overdubs, it's an album that's all about melody and message. Themes spread across the album's fourteen songs include religion, immigration, environmental concerns, alongside more personal takes on relationships, ageing, and even a humorous sideswipe at coronary heart disease.

In our current sound-bite and shuffle era it's encouraging to see long-form songwriting done so well. And no wonder - Beau has been writing, recording and performing music for over four and a half decades. His early championing by John Peel tells you all you need to know about the calibre of his work. (Peel released Beau's debut as the first release on his Dandelion label). In a fairer world Beau would be a much valued cultural treasure, up alongside Dylan, Mitchell, Cohen and the like. As it is the world is not always fair, something that may become all too apparent over the next few years. Thankfully we have the likes of Beau to help fight our corner and cushion any blows. Long may it be so.


Click here for more from Beau.

Tuesday, 12 May 2015

Archive Interview #15 - James Skelly

As part of an occasional series I'll be posting archive interviews, pieces and reviews I've done for other sites over the years. This is a short but sweet interview I did with James Skelly (The Coral) centred around the release of his Love Undercover LP back in 2013. The Interview originally appeared on Subba-Cultcha.


June 3rd sees the release of Love Undercover, the debut album by James Skelly & The Intenders. Skelly is best known as the main vocalist and songwriter in The Coral, a band that have released a string of critically acclaimed albums, gaining Mercury nominations and the respect of their peers along the way. It's now three years since the last album Butterfly House. With no new Coral material on the horizon, having abandoned sessions with producer John Leckie for a sixth album half way through, the various members have kept themselves busy with side projects and solo albums. James' brother (and Coral drummer) Ian recently released his his album Cut From A Star, a record that maintains the Coral's gentle psychedelia. Hot on its heels comes older brother James' effort with new backing band The Intenders. It's an altogether more soulful, rootsy affair. though with just enough of The Coral's folk-rock to keep the faithful happy. Keen to point out that it's a group effort, the band will be touring throughout the summer (dates below). We caught up with James prior to the album's release to talk soul music, psych bands and gap years.


Harmonic Distortion – The album's opening track “You've Got It All” was co-written with Paul Weller. How did that come about and what's he like to work with?

James Skelly - He sent me a demo, but it had no words on it. He asked me if I could finish it, so I wrote the words and the chorus, and then we finished it in his studio. Ian loved the song and thought it would be right for the album, so I rang Weller and asked him if I could use it. He said yes.                                              
HD – There's are real live band dynamic on the album, and I know you're keen to point out the rest of the band's input on the album. Who have you got playing on the record and was there an instant chemistry when you all first got together in the rehearsal room?

JS - I played guitar & vocals, Paul Duffy - guitar, organ, & vocals, Alfie Skelly - guitar, Nick Power-piano, Ian Skelly - drums, James Redmond -bass. We've all played with each other before and we're all close friends, so it was very natural.                                                                                                                                                                                        
HD – You've worked with some big name producers in the past, whereas this record is self-produced. You obviously feel at home in the studio, are there any plans to do any more production work either for yourself for other artists?

JS - Yes, I love being in the studio and I've been working with a couple of young bands, Sundowners and The Circles, It's something I’d like to get into.                                                                                                                              
HD – Without going as far as to call Love Undercover a soul album, there's a definite Northern Soul/R&B vibe going on. Would that be an indication of what you've been listening to recently?

JS - I've always loved blues and soul music, I go through phases but that’s what I always go back to.                                    
HD – I'm really enjoying your song “Searching For The Sun”, could you tell us a little bit about how you wrote the song and what inspired it.

JS - I've had that song for a while, we demoed it with The Coral, then I demoed it. I ended up with something inbetween the two versions.               

HD – The songs on Love Undercover come across as less oblique than your songs for The Coral, there's a tenderness and warmth to a lot of the songs too. It seems to me these songs are a lot more personal than much of your previous work, would that be a fair observation?

JS - I'd say the songs are more direct. I wanted to get to the heart of the matter. I thought the lyrics on Butterfly House were as good as I was going to get in that style, so I felt it was time for a change.   
                                                            
HD – I'd say there's a good case to be made for having one of the most instantly recognisable male voices from the last decade with Love Undercover containing some of your best vocal performances, there seems to be a real sense of spontaneity and joy in them. Who would you say were your main influences as a vocalist?

JS - Van Morrison, Steve Marriott, Ronnie Spector, Dion DiMucci, Bob Marley, Sam Cooke, John Lennon, Ben E. King, Robert Johnson, Willie Deville, I could go on, but I'll leave it there.                                                                                                                                                            
HD - Would you say there was less pressure and expectation on this record than say there would be on a Coral album?

JS - In a way, because I only had to answer to myself, but I'm my harshest critic, so it didn’t make a big difference.              

HD – Sorry to bring up the C-word but I have to ask, it's three years since Butterfly House was released, is there likely to be another Coral album or tour at any time in the near future?

JS - Yes, I hope so, it has to be right though, I wouldn’t want to do it just for the sake of it.                                                          
HD – Your song “I'm A Man” has that Arthur Lee-style Mariachi vibe on it, I'm assuming you still dig Love, Beefheart and all? Do you keep up with any of the current crop of psychedelic flavoured acts such Temples or Jacco Gardner?

JS - I've heard Temples, it's good but there's a lot of lo-fi stuff around, I’m waiting for a young band to come and smash it.

HD – The song “Darkest Days” is a sublime ending to the record, with warm sentiments that characterise much of the album. Do you find yourself getting more drawn towards introspection as you get older?

JS - I've always been like that, I'm just hiding it less these days.                                                                                          
HD – You've been releasing critically acclaimed music for over twelve years. So many flavour-of-the-month bands have come and gone, yet you're still around, without courting the gossip columns, and still making great music. What do you put this longevity down to?

JS - I'd still be doing it even if no one was listening. It's all I know. I get the impression a lot of bands are just on a gap year.


Monday, 11 May 2015

Klaus Johann Grobe – Self Titled EP


Swiss duo's ├╝ber rare debut EP gets a well deserved wider release. Dance friendly Krautrock, electro and post-punk funk vie for space on this 12” reissue.


Anyone looking to shake off the comfort blanket of English language music could do worse than check out this re-release of Klaus Johann Grobe's debut EP. The Swiss duo have fans in high places, as evidenced by endorsements and tour supports from pysch band du jour Temples. Though their music is no less psychedelic than that made by Temples, it's a musical strand that owes more to bass-propelled electro than it does to floppy fringes, vintage clothes and guitar pedals.

If the Temples recommendation is not enough you'll no doubt be wondering what this 12” slab of vinyl has to offer - Six tracks that mix early '70s Krautrock, '80s post-punk, Teutonic funk and electro. Add some eerie sci-fi synth lines and vocals all sung in German and you're somewhere close. It's a sound that contains echoes of the past while simultaneously pointing at possibilities for the future. All served up with a hefty dose of humour and panache.

As the duo's second LP gets a release via Trouble In Mind Records, Liverpool based label Salvation Records have wisely re-released this debut EP which was originally released in 2013 on a very limited pressing (only 168 copies on 10” vinyl). This wider release is now on 12” vinyl and digital download. Also worth checking out are Salvation's growing catalogue of fine new underground releases and well-curated reissues. Klaus Johann Grobe will be making several summer festival appearances over the coming months, get down the front if you get the chance.


Click here for more on Klaus Johann Grobe.
Click here for Klaus Johann Grobe on Twitter.
Click here for the Salvation Records website.

Wednesday, 22 April 2015

The Granite Shore - Once More From The Top


Gentle elegiac paean to a golden rock 'n' roll youth. The Granite Shore's debut LP breathes life back into the concept album.


Nothing quite heightens the poignancy of ageing as experiencing it as a member of a touring rock band. As fashions change and audiences move on for newer sounds, it's as if time's ravages are sharpened. A steep learning curve that shows how life can sometimes move on too quickly, leaving you longing for a recent past that seems like a long-lost golden age. Nowhere is this more the case than for those bands that only fleetingly taste a small amount of mid-level success.

These are the themes explored on Once More From The Top, the debut long player from The Granite Shore. Neatly divided into two halves with self-explanatory titles – In Public, and Behind The Scenes. Musically it's a gentle and understated affair, all slow tempos and muted brass, which along with vocalist/writer Nick Halliwell's closely miked, soft-sung vocals, enhance the album's sense of wistful longing.

The trials, tribulations, hard work and small victories of giving your all to make it in the music world make for good subject matter given Halliwell's literary bent and knack for capturing mood and spirit. Tales of music-biz rip-offs, band members' alcohol intake, and “one-night-stands across East Anglia” somehow sum up the limited, nuanced experiences of everyband.

Once More From The Top shares much with Ian Hunter's Diary Of A Rock And Roll Star, in that things that appear glamorous to the casual observer quite often aren't. Funny and sad in equal measures, its elegiac longing is tempered by wry, dry humour and priceless nail-on-the-head lyrics. The supposedly fictional experiences Halliwell sings of hint at the early '70s, a time when there really was money to be made in the music scene, when there was a thriving circuit of venues with supportive audiences. Over the album's course they also lament their slow decline. It will resonate with anyone who's experienced this either as a musician or a music fan. Enthusiasts of the concept album will also be glad to know that such a thing still exists.


Due for release in May on CD & LP. There are also plans for an accompanying book version.

Click here for more on The Granite Shore.
Click here for The Granite Shore on Facebook.
Click here for the Occultation Records website.


Sunday, 12 April 2015

Harpoon Forever - The American Flag EP


Four song EP of skewed indie rock, FFO Pavement, Silver Jews! Available on vinyl from Sweaters And Pearls Records.


Any piece of 7” vinyl that contains an insert with quotes about freedom from Susan Sontag and Alan Watts already has something going for it, that's before you even place the needle to the groove. Intrigued? You should be.

Harpoon Forever hail from Rutherford, New Jersey and were formed in 2010 by the band's mainstay Alex Goldstein. Together they make lo-fi guitar music that contains echoes of '90s alt-rock yet is imbued with a freshness and enthusiasm that makes them sound utterly contemporary.

The four songs that make up the EP are all anti-fashion, anti-trends and all the better for it. Guitars are played with purpose and spirited abandon, and compliment the intelligent lyrics and from-the-heart vocals. Built around a defiant DIY ethic, this is guitar music that will appeal to anyone who likes their indie-rock slightly left of field.

Think Pavement, think Silvers Jews, even Phantom Buffalo. It's proof that modern guitar music hasn't been completely packaged up and commodified. The sound of a young band searching for an alternative America. Let's hope it's out there. Look out for the band's shows in and around New Jersey and NYC.


Limited to 300 copies on black vinyl. (First 50 copies come with chipboard matchbook style screened sleeves, with alternate artwork by Travis Kostell.)

A full length LP A Prince For All Seasons is available now via download or stream with a vinyl release planned for later in the year.


Click here for more on Harpoon Forever.
Click here for the Sweaters And Pearls Records website.


Games For May – An afternoon & evening of music at The Half Moon, Putney, Sunday 24th May


Bank holiday Sunday! Five live bands, a free five-track 7” single + goodie bag! Be there or wish you were! 


As if releasing consistently high standard vinyl releases wasn't enough, Fruits De Mer Records have teamed up with similarly reputable label, Mega Dodo, to curate an afternoon and evening of music at Putney's Half Moon venue. This takes place on Sunday 24th of May. For those who don't like going out on a school night, fear not, it's a Bank Holiday the following day! The advance ticket price of £15 gets you a five band billing along with a whole bunch of freebies including -

* the Games For May 7", with tracks by all five bands - exclusive to the gig
* an exclusive CD featuring a previously-unreleased album by PIPE (the predecessors of The Past Tense)
* Cary Grace's 'Where You Go' CD album
* a compilation CD from Headspin Records
* a compilation CD from Mega Dodo
* a compilation from Stylus Records
* a compilation CD from DJ Marrs Bonfire
* a CD by ZX+
* a CD by The Portraits
* a CD by the Blue Giant Zeta Puppies
- that's a 7" EP + NINE CDs!
plus...
* an A3 gig poster
* an 'artifact' featuring Todd Dillingham
* a sticker from Claudio Cataldi
* and a very silly game from Fruits de Mer & Mega Dodo
 


The fun starts at 4pm and goes on till closing time. Along with the live bands there'll be rare vinyl DJ sets from Marrs Bonfire and Cranium Pie's Julian Smith. The event is almost certain to sell out so don't hang about buying your tickets. The five acts playing live (and who feature on the free 7” single) are - 

Tir na nOg 
Legdendary psych-folk duo formed by Leo O'Kelly and Sonny Cordell in 1970. They'll also be launching The Dark Dance, their first studio album in 40 years at the gig - and there'll be an exclusive 50-run individually lathe-cut 7" available for £10 a time to the first 50 people to buy the album.

Schnauser 
Favourites here at Harmonic Distortion are Bristol's quirk-prog supremists. Read our review of their Where Business Meets Fashion album here. 

The Past Tense 
Three-piece band from Worcester Park/Kingston. Their sound is a fusion of mod, '60s beat, garage, psych and punk. Their track “Vision (from Another World” was recorded especially for the event's free 7”.

Crystal Jacqueline and The Honey Pot 
Crystal Jacqueline will be familiar to Fruits De Mer aficionados. A founding member of the Honey Pot she'll also be launching latest album Rainflower (Mega Dodo Records) at this gig. We've heard it and it's pretty special, review coming soon! 

Mark and The Clouds 
London based band that evolved from Instant Flight. Purveyors of '60s tinged power pop though their offering on the 7” has a more folky vibe, all 12-string acoustic and harmonies. Entitled “Any Part Of Town” it's only available on the free 7”.


Click here to purchase tickets online. 
Click here for the Fruits De Mer Records website. 
Click here for the Mega Dodo website.

Saturday, 4 April 2015

Cranium Pie - Mechanisms Part Two


Majestic prog-opus ahoy!Funnily enough it's a follow up to Mechanisms Part One! Who woulda thought?!


Fans of Fruits De Mer Records will no doubt already be familiar with Cranium Pie, the band having contributed tracks to various FDM cover version compilations over the years. Here though we get to hear what the band are really about. Mechanisms Part Two is oddly enough the follow up to Mechanisms Part One, their 2012 album about a battle between civilizations of robots and crayfish. I don't know what the local council are putting in the water in Wiltshire but it may be stronger than fluoride! Either that or we're in the company of a very adventurously creative group of people.

Mechanisms Part One went on to be Classic Rock's “bonkers prog album of the year 2012”, so Part Two has something of a reputation to live up to. Over the four sides of vinyl the band are free to stretch out into the furthest reaches of sonic exploration. With heavy Hammond organ, free-jazz-rock drumming and Brian Blessed-esque vocal passages this is music that calls to mind the giants of early '70s progressive rock – Soft Machine, Zappa and Aphrodite's Child may all be influences, but there are also some other more unlikely musical nods in the album's grooves with some surprisingly funky psychedelia.

It seems there may be just as many Funkadelic, Parliament and Prince records in their collections as there are records by The Nice and Caravan. Side One sees the band co-opt the bass line from Isaac Hayes' Ike's Rap II, with Side Three beginning with wacka-wacka guitar chops straight of his Shaft album. Elsewhere there's music borne out of of intuitive collective jamming. So while it's without question another “bonkers prog album” it's also a surprisingly soulful and funky one.

Like many FDM releases, the vinyl version is sure to sell out quickly so if you've missed out bug them for a re-press of make do with a digital copy. Be warned though – it may fry your brain like no other record this year, albeit in a good way.


Limited to 700 copies on colour vinyl double LP with gatefold sleeve.
On Fruits De Mer Records' Regal Crabomophone imprint.

Click here for Cranium Pie's website.
Click here for Cranium Pie on Facebook.
Click here for Cranium Pie on Twitter.
Click here for more on Fruits De Mer Records.

Black Rainbows - Hawkdope


Italian fuzz-rock trio cement their reputation as one of the genre's prime movers. A feast of killer heavy rock with a side dish of mystical musings.


Eighteen months on from the band's Holy Moon mini-LP, Black Rainbows are back! Hawkdope may have less stylistic diversions than their previous outing but it does everything you'd want and expect. A glance at the song titles gives you some idea of what this album contains. With titles such as Killer Killer Fuzz, The Prophet and The Cosmic Picker, you're in for a 45 minute feast of killer heavy rock with a side dish of mystical musings.

On album opener The Prophet they sing of “prophesies being released” over Sabbath-esque riffs, setting the course for the rest of the album. Wolf Eyes kicks off with an amphetime-boosted Tamla drumbeat. Incidentally, what is it with heavy rock bands and their fascination with wolves?!? There's Wolfmother, Wolf People, Wolfsbane. Zep's Robert Plant even supports the football team!

We can forgive a fixation with Canis Lupus when the resulting music hits the spot though. Heavy rock bands of the early '70s are a touchstone, though fans of later grunge and alt-rock will find much to like too. I imagine the live Black Rainbows experience is even more rewarding. The band have an extensive tour booked throughout Spring and Summer including some UK dates in June. (See the flyer below for more info.)

The sole acoustic offering, Waiting For The Sun provides a short, soft break from the biker-friendly rock, but it's heaviness that the band does best. Much like one of their song titles requests - “Hypnotize My Soul With Rock 'N' Roll”. They certainly do that, and then some. A band at the top of their game.


Black Rainbows are -

Gabriele Fiori
Dario Iocca
Alberto Croce




Wednesday, 1 April 2015

Moth Effect - Crocodilians


'90s electronica meets indie jazz guitar, together they watch a perfect sunset. Electronic head music for the wee small hours.


Moth Effect is the recording alias of one man from Sussex That man's real name is Andy Le Gresley. Crocodilians is his first full length release, and is now available on vinyl thanks to the good ears at Sunstone Records. An intriguing wordless affair, it's electronica characterised by drones, repetition, and gradual mutation over gentle mid-tempo beats.

This is psychedelic music that doesn't require a bowl-haircut or a paisley shirt. It's music that takes elements from Kraftwerk, Hawkwind, Durutti Column, Sabres Of Paradise along with countless others, and weaves these disparate threads and strands into a unique tapestry. One that's at times beguiling, yet always interesting and worthy of attention. And one whose rewards grow with each listen.

There's a distinctly European feel, almost Balearic. Beatific too. To call it mood music would be a diservice though it does have a similar effect as watching a a good sunrise or sunset. Not so much comedown music, as happy-where-I-am music. With bass guitar motifs to the fore, guitars and art-rock keyboards are given free reign, avoiding blues scales and cliches, yet searching for sonic invention. This meeting of '90s electronica and exploratory indie-jazz guitar is surprisingly fruitful.

Humour plays a part too. Fingerbobs may reference the early '70s kids TV programme but unlike the folksy, homespun music of that show it takes it's cues from the kosmiche musik that made its mark during that era. Throughout the album you're reminded of “music for schools and colleges” - a soundtrack familiar to '80s schoolchildren everywhere. In this sense Crocodilians has similarities with Lemon Jelly's Lost Horizons album, though it's far less twee and jokey.

The overall feel of Crocodilians is hypnotic, refreshing and curiously optimistic, at odds with current tastes and fashions but all the better for it. It's quite unlike anything else around at the moment. Close your eyes, turn off and float downstream. Or failing that simply head towards the light.


Click here for Moth Effect on Twitter.
Click here for the Sunstone Records website.

Wednesday, 25 March 2015

The Sunchymes' debut album available for free download!



In a week when we've sadly lost Michael Brown of The Left Banke, it's of some comfort to know that his legacy will live on through the countless musicians he influenced. One of the better bands that understood his genius are Northampton's baroque-popsters The Sunchymes. The band's music is an effortless mix of '60s west cost sunshine pop, English psych, with gentle baroque touches and sumptuous vocal harmonies.

The band have recently made their 2009 debut album Shifting Sands available for free download via their Bandcamp page. Fans of The Beach Boys, psych-era Beatles, Jellyfish and indeed The Left Banke are well advised to check it out, along with the follow up album, 2012's Let Your Free Flag Fly. Enjoy!

Click here for The Sunchymes website.
Click here for The Sunchymes on Bandcamp.
Click here for The Sunchymes on Twitter.
Click here for The Sunchymes on Facebook.

Thee Jezebels - Black Book / Cried Over You (Ltd. 7")


Pub rock ain't noise pollution! Debut 7” of gritty R&B from Hastings girl band!


Fans of Dr. Feelgood take note! The latest exponents of gritty 3-chord R&B are an all girl 3-piece from Hastings. Thee Jezebels are the latest band to benefit from the taste making ears of State Records with the release of their debut 7”. A-side Black Book takes the template laid down by the Feelgoods, adds some Suzi Quattro-esque vocals, and send out a warning to shameless philanderers everywhere.

The B-side Cried Over You is an equally blistering romp about post-relationship bafflement. Short, sharp and to the point, it's one and a half minutes long, says what it needs to say and moves on. Grab the single while it's hot, limited to 500 copies, the first 250 come with a hand-numbered postcard. If you dig what you hear get along to one of the band's upcoming gigs, details on the flyer below.



Thee Jezebels are -

Laura Anderson – Guitar, Vocals
Letty Gallagher – Bass
Lois Tozer - Drums

























Click here for Thee Jezebels on Facebook.
Click here for the State Records website.

The Galileo 7 – One Lie At A Time / The God Of Gaps (Ltd 7”)


Crockford & co follow up their recent False Memory Lane LP with 2 brand new Brit-psych stormers on traditional 7” vinyl!


Who would have thought that 2015 would be such a great time for vinyl record buyers? Despite the major labels getting their claws into Record Store Day, there's a multitude of grass roots labels releasing records that people actually want to own and play, as opposed to squirrelling them away or whacking on Ebay while still in their shrinkwrap.

Music lovers of all genres are pretty well served in today's genre-fractured climate, none more so than fans of '60s influenced guitar bands. Thanks to the good folks at State Records there's a new double A-sided 7” from The Galileo 7. Following on from last year's False Memory Lane album, the two brand new tracks showcase the band's knack for uptempo, melodic mod-rock. Hooky guitar lines bolstered by superb organ playing, all topped off by equally inventive vocal melodies and harmonies.

It's easy to see why Allan Crockford's previous band The Prisoners were such an influence on The Charlatans and The Stone Roses. Fans of those bands frustrated at the lack of new material should do themselves a favour and get behind a band that actually release records. This one is in ultra-punchy mono, limited to 500 copies, the first 250 of which come with a bonus 3-track CD.


Click here for The Galileo 7 website.
Click here for The Galileo 7 on Facebook.
Click here for The Galileo 7 on Twitter.
Click here for the State Records website.

Wednesday, 25 February 2015

Jacco Gardner announces new single & album!



Psych's leading light returns with a new single "Find Yourself". A full album, Hypnophobia, will follow in May.

The Dutch maestro's eagerly anticipated follow up to Cabinet Of Curiosities is set to be one of  2015's top albums. Fans of late '60s psychedelia as well as the post-Temples new breed of neo-psych lovers will have this top of their wants list.

Check out the single via the Soundcloud widget below and click over the jump for full details of forthcoming long player Hypnophobia, due for release on May 4th on Full Time Hobby.




Click over the jump for the full press release.

Wednesday, 11 February 2015

Talbot Adams - Green Girl b/w I Love You So (Ltd Edition 7")


Echoes of The Beach Boys, Phil Spector, The Jesus And Mary Chain on the third solo single from Mississippi based singer-songwriter.


The sixth single from Market Square Records is something of a departure from the dissatisfaction-laden garage rock and anti-authoritarian punk released so far. Indeed it could even be said that the overriding emotion and sentiment of this latest 7” is one of happiness and contentment. While a frost covers the ground as I write this, a distinctly summery vibe runs through the grooves, perhaps due to the warm Mississippi climate experienced by the artist, one Mr. Talbot Adams.

A member of several garage rock band, Adams has produced a record in praise of summer crushes, one that's laid-back and minimalist. Guided by simple melodies over a repeated I/IV chord progression, the A-side Green Girl is full of haze and shimmer, and echoes the work of The Beach Boys, Phil Spector, The Jesus And Mary Chain, '60s girl groups, and '80s dream-pop. It's complimented nicely by B-side I Love You So, which has a similar summery feel topped off with sha-la-la-las for backing vocals. A fine release and new stylistic direction for the blossoming label.


Limited edition (300) black vinyl 7” in picture sleeve.

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